中国保健协会第三届第二次常务理事会（扩大）会
This article contains a list of the members of the Utagawa school of Japanese artists, whose members designed paintings and woodblock prints in the ukiyo-e style from the late Edo period to the end of the Meiji period.
Naming
[edit]The art-names of the artists were not produced through a consistent scheme.
The artists of the second generation generally formed their art-names by taking the first kanji of their teacher's name, and adding a different second kanji (e.g. Toyoharu, whose student was Toyohiro). Beginning with the third generation, the names were mainly created by starting with the second kanji of the teacher's name, and adding another one to it (e.g. Toyokuni and his student Kunisada). However, in some cases during this stage the first kanji of the teacher's name was still used for the creation of name (e.g. Toyokuni and Toyoshige). Another, rare, variant was the use of the second kanji of the teacher's name as the second kanji of the pupil's name (e.g. Toyohiro and Naohiro).
Occasionally the same art-name would be re-used by different, un-related artists at different times (e.g. Kunichika or Kunihisa). Equally possible was the use of homonymic names – ones which sound the same, but are written with different kanji (e.g. Hiromasa (広昌) and Hiromasa (広政)).
After an event which left a teacher's name unused, such as their death, retreat from artistic life, or a change in the art-name they used, the former name was often given to a preferred student. Therefore, some names continued to be used, with numbering to distinguish the various holders (e.g. Kuniteru I, II and III). Sometimes these numbers were used by the artists themselves, and sometimes they have been added much later, by people studying the field.
An especially confusing case is the sequence of holders of the name "Toyokuni". After Toyokuni I's death, the name initially was taken over by his student and adoptive son Toyoshige I. It was not used again until Kunisada I started using it in 1844.[1] Kunisada I actually styled himself 'Toyokuni II', ignoring the fact that Toyoshige had already been the second user of the name; he is now uniformly known as 'Toyokuni III', however. His prior art-name, Kunisada, he gave to his son-in-law and adoptive son Kunimasa III, who became now Kunisada II from 1850 onwards. After Kunisada I's death, from about 1870 onwards Kunisada II called himself Toyokuni III (although we now label him Toyokuni IV – the numbering clash caused by Kunisada I's adoption of the name "Toyokuni II" continued to cause confusion), and he handed over the name Kunisada to Kunimasa IV (who thus became Kunisada III). The latter never used the name Toyokuni (although it sometimes alleged that he did so).[2] The literature now indicates the following consecutive holders of these names (with the names they used given in sequence for each one, and using modern numbering for the users of the name "Toyokuni"):
- Toyokuni I
- Toyoshige I / Toyokuni II
- Kunisada I / Toyokuni III
- Kunimasa III / Kunisada II / Toyokuni IV
- Kunimasa IV / Kunisada III / Kōchōrō / Hōsai
Some names used by Utagawa-school artists were also used by artists from other schools (e.g. Toyonobu, Shigenobu, Kunihiro e.a.), so the art-name alone is not sufficient for identification; the school name has to be added for an exact designation.
Table explanation
[edit]Founder: Utagawa Toyoharu I (歌川 豊春; 1735–1814)
The left column contains the names of Toyoharu I's students; below and to the right are the names of their students. This pattern is repeated in turn, for their students. For example, Toyohiro in the first column is the teacher of the artists Hirochika through Toyokuma in the second column, and Hiroshige I in the second column is the teacher of the artists Hirokage through Shigeyoshi in the third column; etc.
If known, lifetime dates are given; if those are not known, the period of artistic activity is given. No data will indicate that the names are listed in literature but no datable artwork has yet been found.
The list also includes the names of several female artists; their names are specially marked. In general they were daughters who were taught to draw by their fathers, and were occasionally allowed to design cartouche images for their fathers' works, which they then signed with her own names.
This list is not totally complete: artists of the fifth generation are only partially listed, and artists of the sixth generation are omitted entirely.
About half of the listed names cannot be found in Western literature; the list originates from a Japanese Internet-based project, the Ukiyo-e-shi sōran (浮世絵師総覧, 'Comprehensive Bibliography of Ukiyo-e Artists').[3]
Table
[edit]| 2nd Generation | 3rd Generation | 4th Generation | 5th Generation |
|---|---|---|---|
| Toyoharu II (豊春 二代) fl. 1804-1848 |
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| Toyohide (豊秀) fl. c. 1806-1832 |
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| Tsukihide (月秀) fl. 1808 |
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| Toyohiro (豊広) 1773-1830 |
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| Hirochika I (広近) fl. 1820-30 |
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| Hirochika II (広近 二代) 1835-? |
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| Hirokane (広兼) fl. c. 1805-10 |
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| Hiromaru (広丸) signed Toba Hiromaru (鳥羽 広丸) fl. c. 1810-15 |
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| Hiromasa (広昌) |
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| Hiromasa (広政) |
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| Hironobu (広演) |
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| Hiroshige I (広重) also used Utashige (歌重) 1797-1858 |
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| Hirokage (広景) fl. c. 1855-65 |
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| Shigefusa (重房) fl. c. 1855-70 |
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| Shigeharu (重春) fl. 1864/65 |
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| Shigehisa (重久) fl. c. 1850 |
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| Shigekatsu (重勝) fl. c. 1825-50 |
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| Shigekiyo (重清) fl. 1855-90 |
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| Shigemaru (重丸) fl. 1850-54 also student of Kunimaru |
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| Shigemasa (重昌) fl. c. 1850-60 |
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| Shigemasa (重政) also Hiromasa (広政) later Hiroshige III (広重 三代) also used Utashige (歌重) 1842-1894 |
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| Shōsai Ikkei (昇斎一景) fl. c. 1870-75 | |||
| Shigenobu (重宣) later Hiroshige II (広重 二代), then Risshō I (喜斎) 1826-69 |
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| Kisai Risshō II (喜斎立祥 二代) fl. 1865-70 | |||
| Shigetsugu (重次) fl. end Edo period | |||
| Hiroshige IV (広重 四代) 1848-1925 | |||
| Shigenobu (重延) fl. end 1860s |
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| Shigetoshi (重歳) fl. 1854-60 |
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| Shiko[4] | |||
| Shigeyoshi[4] |
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| Hirotsune (広恒) fl. beginning 19th century |
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| Naohiro (直広) fl. 1789-1801 |
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| Toyokiyo (豊清) also signed as Kinzō (金蔵) 1799-1820 |
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| Toyokuma (豊熊) fl. c. 1830 |
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| Toyohisa I (豊久) fl. c. 1801-1818 |
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| Hisanao (久直) |
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| Hisanobu (久信) signed with Hyakusai (百斎) fl. 1800-15 |
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| Toyohisa II (豊久 二代) fl. c. 1818-c. 1844 |
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| Toyokatsu (豊勝) fl. c. 1804-1830 |
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| Toyokuni I (豊国) 1769-1825 |
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| Kunichika (国近) |
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| Kunichika (国周) a different artist than Kunichika Toyohara 1835-1900 |
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| Kuninobu (国延) |
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| Kunifumi (国文) |
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| Kunifusa I (国総) fl. 1810-13 |
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| Kunifusa (国房) fl. beginning 19th century |
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| Kunihide (国英) fl. 1820-44 |
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| Kunihiki[4] |
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| Kunihiko (国彦) |
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| Kunihiro (国広) fl. 1816-35 |
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| Kunihira (国平) fl. c. 1830 |
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| Kunihisa (国久) fl. 1800-1820 female also student of Toyokuni II |
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| Kunikage (国景) fl. c. 1830-40 also student of Toyokuni II |
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| Kunikame (国花女) 1810-71 female |
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| Kunikane (国兼) fl. c. 1830 |
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| Kunikatsu (国勝) fl. 1820-30 |
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| Katsuhide (勝秀) |
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| Katsumasa (勝政) |
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| Katsunobu (勝信) |
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| Katsushige (勝重) |
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| Katsuyoshi (勝芳) |
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| Kunikiyo I (国清) fl. beginning 19th century |
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| Kunimaru (国丸) also signed Bunji (文治) 1793-1829 |
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| Terundo (輝人) |
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| Toshimaru (年丸) |
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| Kunimasa I (国政) 1773-1810 |
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| Kunimasa II (国政 二代) later Kunimune II (国宗 二代) 1792-1857 |
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| Kunimitsu I (国満) fl. c.1800-30 |
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| Kunimitsu II (国満 二代) ?-1859 |
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| Kunimitsu (国光) fl. beginning 19th century |
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| Kunimune I (国宗) fl. c. 1820-30 |
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| Kuninaga (国長) 1790-1827 |
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| Kuninao I (国直) 1793-1854 |
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| Ryūshi (竜子) also known as Chikusai Ryūshi (竹斎竜子) fl. 1815 |
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| Naohisa (直久) fl. c. 1850 |
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| Naomasa (直政) fl. 1850s |
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| Masahisa (政久) | |||
| Kuninobu I (国信) fl. 1814-44 |
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| Nobufusa (信房) fl. 1830-64 |
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| Nobuhide I (信秀) |
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| Nobuhide II (信秀 二代) | |||
| Nobukazu (信一) |
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| Nobukiyo (信清) |
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| Nobusada (信貞) |
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| Nobuyoki (信与喜) |
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| Kunisada I (国貞) later Toyokuni III (豊国 三代) 1786-1865 |
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| Daiyū (大右) fl. c. 1850 |
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| Kino (きの, also 喜の) fl. 1855 |
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| Kuniaki I (国明) fl. 1850-60 |
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| Kuniaki II (国明 二代) 1835-88 |
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| Kunichika (国周) later schoolname Toyohara (豊原) 1835-1900 |
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| Toyohara Chikaharu (周春) 1848-? | |||
| Ryūsai Chikahide (周秀) | |||
| Yukawa Chikamaro (周麿) | |||
| Toyohara Chikamasa (周政) | |||
| Toyohara Chikamasa (周正) fl. Meiji | |||
| Yōsshū Chikanobu (周延) 1838-1912 signed also with Yōshū Chikanobu 楊洲周延 | |||
| Morikawa Chikashige (周重) signed also with Otojirō (音次郎) fl. 1869-82 | |||
| Toyohara Chikasato (周里) fl. 1887-96 | |||
| Toyohara Chikayoshi (周義) fl. 1867-90 | |||
| Toyohara Chikayoshi (周嘉) | |||
| Yōsai Nobukazu (延一) 1872-1944 | |||
| Utagawa Kuniteru III (国輝 三代) fl. 1880s | |||
| Kunifuku (国福) fl. 1854-64 |
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| Kunifusa II (国房 二代) 1834-83 |
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| Kuniharu (国晴) fl. 1855-83 |
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| Kunihisa (国寿) |
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| Kunihisa II (国久 二代) 1832-91 |
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| Kunimine (国峰) 1861-1944 | |||
| Kunihisa III (国久 三代) |
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| Kunikake (国魁) |
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| Kunikazu (国員) fl. 1850s |
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| Kunikiyo II (国清 二代) ?- 1887 |
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| Kunimaro I (国麿) signed also Maromaru (麿丸) fl. 1850-75 |
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| Kunimaro II (国麿 二代) fl. c. 1860 | |||
| Kunimasa III (国政 三代) later Kunisada II (国貞 二代) later Toyokuni IV (豊国 四代) 1823-80 |
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| Kunitsuna II (国綱 二代) before Kuniteru II (国輝 二代) 1830-74 | |||
| Kuniyuki (国雪) | |||
| Kuniyuki (国幸) fl. c. 1870 | |||
| Masahisa (政久) fl. end 19th century | |||
| Toyonobu (豊宣) 1859-86 | |||
| Kunimasa IV (国政 四代) later Kunisada III (国貞 三代) later Kōchōrō (香蝶楼) later Hōsai (豊斎) 1848-1920 also student of Kunisada II |
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| Kokunimasa (小国政) 1874-1944 | |||
| Kunimasa V (国政 五代) | |||
| Kunimune (国梅) fl. 1880s | |||
| Kunitora II (国虎 二代) ?-1896 | |||
| Masanobu (政信) fl. 1882-87 | |||
| Kunimasu (国益) fl. c. 1850 |
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| Kunimichi II (国道 二代, also written 国路) fl. c. 1850 |
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| Kunimine II (国峯 二代) fl. beginning Meiji |
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| Kunimitsu II (国光 二代) |
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| Kunimori II (国盛 二代) fl. c. 1850 |
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| Kunimura (国邑) fl. c. 1850 |
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| Kuninobu II (国信 二代) fl. c. 1860 |
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| Kunisato (国郷) ?-1858 |
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| Kunishige (国茂) fl. end Edo period |
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| Kunishige (国重) fl. c. 1850-70 |
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| Kunishige (国繁) |
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| Kunitaka (国孝) signed also Ichigyokusai (一玉斎) fl. 1859-63 |
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| Kunitama (国玉) fl. 1850s |
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| Kuniteru I (国輝) also Sadashige (貞重) also Kunimitsu (国光) fl. 1820-60 |
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| Teruhisa (輝久) | |||
| Terukuni (輝国) | |||
| Kuniteru II (国輝 二代), also written 国てる) since 1855 Kunihiko II (国彦 二代) 1830-74 |
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| Kunitoki II (国時 二代) fl. 1860s |
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| Kunitoku (国得) fl. c. 1855 |
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| Kunitomi II (国富 二代) fl. c. 1860 |
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| Kunitomo II (国朝 二代) fl. 1850 |
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| Kunitoshi (国歳) fl. 1868-1912 |
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| Kunitoshi (国利, also written 邦年) 1847-99 |
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| Kunitoshi (国年) |
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| Kunitsugu II (国次 二代) |
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| Kuniyoshi (国美) fl. c. 1850 |
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| Kuniyuki II (国幸 二代) fl. 1852 |
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| Sadaaki (貞章) |
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| Sadachika (貞周) |
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| Sadafusa (貞房) fl. 1830-50 |
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| Fusakiyo (房清) fl. 1846 | |||
| Fusatane (房種) also signed ōsai (櫻斎) fl. 1830-80 | |||
| Sadaharu (貞晴, also written 貞春) fl. c. 1825 |
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| Sadahide (貞秀) 1807-73 |
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| Sadahiko (貞彦) fl. c. 1850 |
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| Sadahiro / Hirosada (貞広 / 広貞) also known as Konishi Hirosada (小西 広貞) also student of Sadamasu/Kunimasu fl. 1830-54 |
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| Sadahiro II / Hirosada II (貞広 二代 / 広貞 二代) 1840-1910 | |||
| Sadahisa (貞久) |
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| Sadakage I (貞景, also written 貞影) fl. 1820-44 |
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| Kagematsu (景松, also written 影松) fl. c. 1840-50 | |||
| Kagetoshi (景年) fl. c. 1830-40 | |||
| Sadakage II (貞景 二代) fl. 1850-81 |
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| Sadakame-jo(貞歌女) female |
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| Meirindō Kakuju-jo (明林堂鶴寿女) fl. 1861-63 female | |||
| Sadakane (貞兼) fl. 1815-42 |
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| Sadakatsu (貞勝) |
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| Sadakiyo (貞清) fl. 1830 |
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| Sadakoma (貞駒) fl 1860s |
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| Sadakuma (貞熊) |
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| Sadakuni (貞国) |
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| Sadamasa (貞雅) |
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| Sadamasa (貞政) fl. c. 1850 |
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| Sadamasu / Kunimasu (貞升 / 国升) signed also with Yukimasu (行升) fl. c.1830-54 |
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| Nobukatsu (信勝) fl. end Edo period | |||
| Sadayoshi (貞芳) also student of Kunisada I fl. 1837-50 | |||
| Hasegawa Sadanobu I (長谷川 貞信) 1807-79 | |||
| Sadamaru (貞丸) |
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| Sadamasa (貞雅) |
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| Sadamasu (貞益) fl. c. 1850 |
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| Sadamine[5] fl. c.1830-44 |
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| Sadamine[5] fl. c.1830-50s |
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| Sadamori (貞盛) |
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| Sadamura (貞邑, also written 貞村) fl. c. 1850 |
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| Sadanao (貞猶) |
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| Sadanobu (貞延) |
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| Sadanobu (貞宣) fl. c. 1850 |
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| Sadanobu (貞信) fl. 1820-30 |
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| Sadanobu II (貞信 二代) fl. Meiji | |||
| Sadaoka (貞岡) |
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| Sadashige (貞繁) fl. 1820 and 1850[6] |
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| Sadataka (貞孝) |
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| Sadatake (貞武) |
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| Sadatomo (貞知) fl. 1850 |
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| Sadatora (貞虎) fl. 1820-44 |
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| Sadatoshi (貞利) |
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| Sadatoshi (貞年) fl. c. 1850 |
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| Sadatsugu (貞次) fl. 1830s |
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| Sadatsuna (貞綱) fl. 1830s |
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| Sadayoshi (貞美) fl. c. 1850 |
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| Sadayuki (貞幸) fl. 1830-40 |
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| Takahiro (孝広) |
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| Toyoshige III (豊重 三代) ?-1931 |
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| Yasu (安) fl. c. 1850 |
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| Kunishige (国繁) fl. 1815 |
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| Kunitame (国為) |
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| Kunitane (国種) fl. c. 1830 |
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| Taneharu (種春) |
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| Tanekage (種景) |
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| Tanekiyo (種清) |
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| Tanemasa (種政) |
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| Tanenobu (種信) |
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| Taneshige (種繁) |
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| Kunitaka (国孝) |
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| Kunitake (国武) |
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| Takemitsu (武光) |
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| Takeshige (武重) |
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| Taketora (武虎) |
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| Kunitaki (国瀧) |
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| Kunitaku (国宅) |
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| Kuniteru (国照) 1808-76 also student of Kuninao |
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| Kunitetsu (国鐵) |
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| Kunitome-jo (国登女) female |
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| Kunito (国登) |
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| Kunitoki I (国時) |
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| Kunitoku (国登久) |
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| Kunitora I (国虎) 1789 ?-1860 ? |
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| Kunitsugu (国次) 1800-1861 |
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| Kunitsugu (国継) fl. 1820-30 |
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| Kunitsuna (国綱) 1805-68 also student of Kunisada I |
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| Kunitsune (国常) |
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| Kuniwaka (国若) |
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| Kuniyasu I (国安) 1794-1832 |
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| Yasuharu (安春) |
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| Yasuhide (安秀) fl. 1829-30 |
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| Yasukiyo (安清) |
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| Yasumine (安峯) 1791-1842 |
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| Yasunobu (安信) fl. 1830s |
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| Yasushige (安重) |
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| Yasutsune (安常) |
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| Kuniyasu II (国安 二代) fl. 1830-44 |
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| Kuniyoshi (国芳) 1798-1861 |
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| Harusada II (春貞 二代) also known as Yasukawa Harusada II (保川春貞 二代) 1830-87 |
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| Kyōsai (暁斎) 1831-89 founded own school |
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| Yono (世の) |
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| Yoshiaki (芳明) |
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| Yoshichika (芳近) ?-1868 |
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| Yoshiei (芳栄) ?-1869 |
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| Yoshifusa-jo I (芳房女) fl. c. 1850 |
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| Yoshifusa II (芳房 二代) 1837-1860 |
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| Yoshifuji (芳藤, also written よし藤) ?-1886 |
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| Fujiyoshi (藤よし) fl. 1867 | |||
| Yoshigiku (芳菊) |
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| Yoshigiri (芳桐) |
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| Yoshiharu (芳春, also written 芳晴) also signed Ikusaburō (幾三郎) 1828-1888 |
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| Harutomi (春富) | |||
| Harunaka (春中) | |||
| Yoshihide (芳秀) 1832-1902 |
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| Yoshihide (芳栄) usually read Yoshiei |
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| Yoshihiko (芳彦) |
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| Yoshihisa (芳久) fl. c. 1862-63 |
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| Yoshihiro (芳広) ?-1884 |
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| Yoshiiku (芳幾) 1833-1904 |
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| Ikuhide (幾英) also Kobayashi Ikuhide (小林 幾英) fl. 1880-1898 | |||
| Yoshijo (芳女) Kuniyoshi's younger daughter, fl. end Edo period |
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| Yoshikabu (芳蕪) |
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| Yoshikado (芳廉) fl. c. 1850 |
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| Yoshikatsu (芳勝) fl. c. 1850 |
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| Yoshikage (芳影) |
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| Yoshikage (芳景) ?-1892 |
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| Kagetora (景虎) | |||
| Kagehisa (景久) | |||
| Yoshikane (芳兼) also known as Takeuchi Tachō (竹内田蝶) 1832-1881 |
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| Yoshikata (芳形) 1841-1864 |
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| Yoshikazu (芳員) fl. 1850-60 |
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| Yoshikiyo (芳清) |
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| Yoshikono (芳古野) fl. c. 1850 |
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| Yoshikuni (芳州) fl. beginning Meiji |
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| Yoshikuni (芳国) fl. c. 1850 |
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| Yoshimasu (芳升) |
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| Yoshimaro (芳麿) an earlier name of Utagawa Yoshihiro (歌川芳広) |
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| Yoshimaru I (芳丸) fl. c. 1850 |
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| Yoshimaru II (芳丸 二代) 1844-1907 |
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| Yoshimasa (芳政) fl. c. 1830-60 |
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| Yoshimi (芳見) |
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| Yoshimitsu (芳満) 1837-1910 |
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| Yoshimura (芳村, also written 芳邨) 1846-? |
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| Yoshimori I (芳盛) 1830-85 |
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| Yoshimori II (芳盛 二代) before Kuniharu 国晴 1854-? | |||
| Yoshimoto (芳基) |
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| Yoshimune I (芳宗) 1817-80 |
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| Yoshimune II (芳宗 二代) 1863-1941 | |||
| Yoshinaka (芳中) |
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| Yoshinao (芳直) fl. 1854-56 |
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| Yoshinobu (芳延) 1838-1890 |
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| Yoshinobu (芳信) fl. 1860s |
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| Yoshisada (芳貞) signed also with Kiyonobu (清貞) fl. Meiji |
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| Yoshisato (芳里) fl. c. 1850 |
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| Yoshisato (芳郷) |
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| Yoshisen (芳仙) also read Hōsen |
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| Yoshishige (芳重, also written 吉重) fl. c. 1840-55 |
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| Yoshitada (芳忠) fl. c. 1850 |
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| Yoshitama-jo (芳玉女) signed also with Shimizu (清水) 1836-70 female |
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| Yoshitame (芳為) |
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| Yoshitani (芳谷) |
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| Yoshitaka (芳鷹) fl. 1850s |
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| Yoshitaki (芳瀧, also written 芳滝) 1841-99 |
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| Yoshitatsu (芳辰) |
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| Yoshiteru (芳照) fl. 1850-90 |
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| Yoshiteru (芳輝) 1808-91 |
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| Yoshitomi (芳富) fl. beginning Meiji period |
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| Yoshitora (芳虎) fl. 1830-1870 |
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| Toratane (虎種) fl. Meiji | |||
| Torashige (虎重) fl. Meiji | |||
| Yoshitori-jo (芳鳥女) signed also with Kuniyoshi musume (国芳女), musume Tori (女登里) and Tori-jo (登理女) 1797-1861 female |
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| Yoshitoshi (芳年) 1839-92 founded own school |
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| Yoshitoyo I (芳豊) 1830-66? also student of Kunisada I |
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| Yoshitoyo II (芳豊 二代) 1844-1907 | |||
| Yoshitsuna (芳綱) fl. end Edo period |
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| Yoshitsuru I (芳鶴, also written 芳霍) 1789-1846 |
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| Yoshitsuru II (芳鶴 二代) | |||
| Yoshitsuya I (芳艶) 1822-66 |
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| Kazutoyo (一豊) name also read Ichitoyo also used name Tsuyatoyo 艶豊 | |||
| Tsuyanaga (艶長) fl. 1863 | |||
| Tsuyamasa (艶政) | |||
| Yoshitsuya II (芳艶 二代) fl. 1870s | |||
| Yoshiume (芳梅) 1819-79 |
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| Gyokutei (玉亭) before Yoshimine (芳峰) fl. Meiji | |||
| Yoshiyuki (芳雪, also written 蕙雪) ?-c. 1861 |
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| Yoshizane (芳真) |
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| Kuniyuki I (国幸) |
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| Kunizō (国蔵) |
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| Toyoshige I (豊重) probably before Kunishige (国重) later Toyokuni II (豊国 二代) 1777?-1835 |
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| Kuniharu (国春) 1803-39 |
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| Kuniharu (国晴) |
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| Kunihiro (国弘) fl. c. 1825-40 |
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| Kunikazu (国一) |
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| Kunimichi I (国道) |
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| Kunimori I (国盛) fl. c.1820-40 |
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| Kunimoya (国靄, also written 国鶴) fl. 1830s |
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| Kunimura (国邑) |
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| Kuninao II (国直 二代) fl. Meiji |
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| Kunioki (国興) |
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| Kunishi (国誌) ?-c. 1850 |
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| Kunitada (国忠) |
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| Kunitomi I (国富) fl. 1820-44 |
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| Tominobu (富信) fl. c. 1840-45 | |||
| Kunitomo (国朝) fl. 1830s |
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| Kunitomo (国與) |
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| Kunitsuru I (国靏) 1807-78 |
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| Kunimatsu (国松) also Toyoshige III (豊重 三世) and Fukudō Kunimatsu (福堂 国松) 1855-1944 | |||
| Kunitsuru II (国靏 二代) 1852-1919 | |||
| Toyoshige II (国重 二代) fl. 1840-50 |
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| Toyotoshi (豊年) fl. c. 1830 |
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| Kunishige II (国重 二代) fl. 1818?-44 |
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| Kunimasu (国益) fl. 1823-25 |
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| Toyomaro (豊麿) fl. end 18th century |
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| Toyomaru I (豊丸) before Katsukawa Shunrō II fl. 1785-97 |
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| Toyonobu (豊信) fl. 1770-80 |
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| Teachers unknown: | |||
| Hidemaru (秀丸) |
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| Naotsuna (直綱) fl. c. 1840 |
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| Kagemasu (景升) fl. Meiji |
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| Kintarō (金太郎) fl. c. 1880 |
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| Kuniama?? (国天雷) fl. 1890s |
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| Kunihama (国濱) fl. beginning 19th century |
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| Kunihide (国英) fl. c. 1890 |
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| Kunikazu (国一) also Odake Kunikazu (尾竹国一) fl. 1887 |
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| Kuniyasu (国保) also Sekisai Kuniyasu (石斎国保) fl. 1880-90 |
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| Suekatsu (季勝) fl. beginning 19th century |
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| Toyokage (豊景) |
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| Toyonaga (豊長) fl. beginning 19th century |
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| Yasuzō (保蔵) fl. c. 1840 |
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| Yoshimaru (美丸) also Kitao Shigemasa II (北尾 重政 二世) and Kitagawa Yoshimaro (喜多川 美麿) fl. c. 1810-40 |
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Notes
[edit]- ^ Laurance, "Kunisada", pg. 97
- ^ Laurance, "Kunisada III", pg. 97
- ^ Ukiyo-e-shi sōran (浮世絵師総覧), "Comprehensive Bibliography of Ukiyo-e Artists" (Japanese)
- ^ a b c Schwan, p. 247, name not confirmed by other references
- ^ a b Newland, S. 527, name not confirmed by other references
- ^ probably these are two different artists
References
[edit]- Richard Lane: Images from the Floating World. Fribourg, 1978, ISBN 0-88168-889-4
- Amy Reigle Newland (Hrsg.): The Hotei Encyclopedia of Japanese Woodblock Prints. 2 vol., Amsterdam, 2005, ISBN 90-74822-65-7
- Laurance P. Roberts: A Dictionary of Japanese Artists, Weatherhill, Tokyo and New York, 1976 and 1990, ISBN 0-8348-0235-X
- Friedrich B. Schwan: Handbuch Japanischer Holzschnitt. Hintergründe, Techniken, Themen und Motive. Iudicium, München 2003, ISBN 3-89129-749-1 (German)
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| Themes |
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| Region specific themes | ||
| Techniques | ||
| Schools | ||
| Related traditions | ||
